Giorgio Moroder is most famous these days for being “that guy from the Daft Punk song”, referring to his cameo on Random Access Memories. Prior to 2012 or so, he was known as the producer of Donna Summer’s “I Feel Love”. He had mostly faded into obscurity unless you were into ‘80s movie soundtracks (Scarface, American Gigolo, Midnight Express) or disco music.
On the strength of his newfound Daft Punk cred and “I Feel Love”, I had my eye on picking up one of his albums. This wasn’t one of those “must haves”, but it was on my mind as I sifted through several stacks of records at Giovanni’s Room thrift shop in Philly the weekend before last.
Lucky for me, Giovanni’s Room has a policy of marking down by half any records that sit for more than six months. This one slipped under the radar and was tagged $3. Best find of the weekend.
When you listen to this album, the first thing you notice is that it sounds a lot like you know who. The vintage drum machine and vocoder sound is what our generation associates with the robot duo or Kanye’s 808s and Heartbreak, but it’s clearly borrowed from Moroder and his contemporaries and reinvented for a new generation.
The nice bit about Moroder’s sound being so imitated today is that this album listens like a lost Daft Punk album. It doesn’t sound dated at all. It’s got a cohesive house music beat that goes well in the background while you’re doing other things, but you could easily turn up the volume and get a dance party started.
